Womens

TUK Black and White Brogue Mary Jane - Move over wingtip, here comes the TUK Black and White Brogue Mary Jane. This edgy, captivating mary jane from T.U.K. features a classic two-tone palette and a menswear-inspired design. - A substantial outsole lends height and cool heft to the TUK Black and White Brogue Mary Jane, while a wide strap closure is a hip finishing touch. - Black and White Leather, with Brogue Punched Details, a Silver Metal Buckle, and a 1&1/2 inch Heel. - The TUK Black and White Brogue Mary Jane classics never go out of style! Check out the Black Brogue Mary Janes ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Brogue Mary Jane - It's impossible not to make an impact in this sassy TUK Black Brogue Mary Jane. - This bad-girl style TUK Black Brogue Mary Jane has a smooth leather upper with chic broguing and a wing-tip toe. - The TUK Black Brogue Mary Jane strap features a gleaming rectangular buckle, while its chunky sole gives you that tough look that perfectly balances the more traditional feminine detailing. - TUK Black Brogue Mary Jane features black Leather, with Brogue Punched Details, a Silver Metal Buckle, and a 1 1/2 inch Heel. Check out this TUK Black Brogue Mary Jane with white in the Black and White Brogue Mary Janes ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

Pandamerica Mary Jane Faux Leopard - This classic and timeless Mary Jane ballet flat is a must-have in every women's closet. - These Maryjanes have a fuzzy leopard faux fur upper. Measurements: Outsole Length (Heel Edge to Tip of Toe): -Size 5 = 9 1/2" -Size 6 = 9 3/8" -Size 7 = 9 5/8" -Size 8 = 9 7/8" -Size 9 = 10" -Size 10 = 10 1/8" -Size 11 = 10 3/8" Check out these Black Velvet Mary Janes !

Pandamerica Mary Jane Black Dragon - This classic and timeless Mary Jane ballet flat is a must-have in every women's closet. - These Maryjanes feature an embroidered red dragon on top. Measurements: Outsole Length (Heel Edge to Tip of Toe): -Size 5 = 9 1/2" -Size 6 = 9 3/8" -Size 7 = 9 5/8" -Size 8 = 9 7/8" -Size 9 = 10" -Size 10 = 10 1/8" -Size 11 = 10 3/8" Check out these Black Mary Janes !

Pandamerica Mary Jane Black Cotton - This classic and timeless Mary Jane ballet flat is a must-have in every women's closet. - These Maryjanes feature a plain black cotton upper and rubber outsole. Measurements: Outsole Length (Heel Edge to Tip of Toe): -Size 5 = 9 1/2" -Size 6 = 9 3/8" -Size 7 = 9 5/8" -Size 8 = 9 7/8" -Size 9 = 10" -Size 10 = 10 1/8" -Size 11 = 10 3/8" Check out these Red Dragon Mary Janes !

Dr. Martens Cherry Red Smooth 8-Eye Boot - The 1460 Cherry Red Smooth 8-Eye Boot is the original Dr. Martens 8-Eye boot. - Made with the durable Dr. Martens Smooth leather this Cherry Red Smooth 8-Eye Boot was constructed to last. - This Cherry Red Smooth 8-Eye Boot has instantly recognizable DNA that looks like this: 8 eyes, classic Dr. Martens Smooth leather, grooved sides, a heel-loop, yellow stitching, and a comfortable, air-cushioned sole. - Built on the iconic Dr. Martens air-cushioned sole, Cherry Red Smooth 8-Eye Boot is oil and fat resistant with good abrasion and slip resistance. Use the Wonder Balsam to keep your Cherry Red Smooth 8-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was then scanning the pages of a shoe trade magazine, when his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens Mono Smooth 8-Eye Boot - The 1460 Mono Smooth 8-Eye Boot is the original Dr. Martens boot with a solid color sole, welt, stitching, eyelets, laces, heel loops and even linings— for a monochromatic look from the ground up. - Mono Smooth 8-Eye Boot retains all the classic Doc's DNA, including grooved sides, visible stitching and a heel-loop. - Made with the durable Dr. Martens Smooth leather, the Mono Smooth 8-Eye Boot is made to last. - Built on the iconic Dr. Martens air-cushioned sole, this Mono Smooth 8-Eye Boot is oil and fat resistant, with good abrasion and slip resistance. Use the Wonder Balsam to keep your Mono Smooth 8-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

TUK Black Suede Mondo Creeper - The TUK Black Suede Mondo Creeper Classics Never Go Out Of Style. - The TUK Black Suede Mondo Creeper feature the new lightweight and more flexible soles in our traditional 1 7/8" height. - These round toe TUK Black Suede Mondo Creeper have a black woven interlace, and silver metal D - TUK Black Suede Mondo Creeper feature the patented T.U.K. Skull n' Bones creeper sole design. Lower these TUK Black Suede Mondo Creeper with the Black Suede Low Sole Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew and became novel style along with the introduction of American rock n’ roll music. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Leather Mondo Creeper - TUK Black Leather Mondo Creeper classics will never goes out of style! - These black leather TUK Black Leather Mondo Creeper feature the new lightweight and more flexible soles in our traditional 1 7/8″ Mondo height. - These TUK Black Leather Mondo Creeper have a black woven interlace, and silver metal D-rings. - TUK Black Leather Mondo Creeper feature 100% leather upper The TUK Black Leather Mondo Creeper are also in the tall Black Suede Mondo Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

Gray Ivy Wool Cap - THIS IS A WELL CONSTRUCTED IVY WOOL CAP MADE TO LAST, IT IS THE PRICED WOOL IVY CAP ON THE MARKET BAR NONE, YOU WILL NOT BE DISAPPOINTED. Measurements: -S/M (Head measurement: 56 cm, 22", Size 7), -L/XL (Head measurement: 58 cm, 22-3/4", Size 7-1/4)

Burgundy Ivy Wool Cap - THIS IS A WELL CONSTRUCTED BURGUNDY IVY WOOL CAP MADE TO LAST, IT IS THE PRICED WOOL IVY CAP ON THE MARKET BAR NONE, YOU WILL NOT BE DISAPPOINTED. Measurements: -S/M (Head measurement: 56 cm, 22", Size 7), -L/XL (Head measurement: 58 cm, 22-3/4", Size 7-1/4)

Black Ivy Wool Cap - THIS IS A WELL CONSTRUCTED BLACK IVY CAP MADE TO LAST, IT IS THE PRICED WOOL IVY CAP ON THE MARKET BAR NONE, YOU WILL NOT BE DISAPPOINTED. Measurements: -S/M (Head measurement: 56 cm, 22", Size 7), -L/XL (Head measurement: 58 cm, 22-3/4", Size 7-1/4)

Black Wool Greek Fisherman Hat - Black Greek Fisherman Hat with Lace Trim, also Known As A Fiddler Cap, Dylan Hat, Mariner’s Cap Or John Lennon Hat. - During The 1950’s It Gain Popularity Among Ton-up And Greaser Subculture And In The 1960s It Became Desirable Counterculture Accessory For Both Sexes. - The Cap Went A Revival Among Young British Hipster Women During The Late 1990s, And Again During The 2010’s Due To A Nostalgia For 1970’s Fashion. Check out our other hats like the Herringbone Greek Fisherman Hat !

Classic Baphomet Logo T-Shirt - Printed with professional high quality name brand oil based plastisol inks.   About Baphomet The Baphomet Logo Pentagram is a deity allegedly worshipped by the Knights Templar that subsequently became incorporated into various occult and Western esoteric traditions. The name Baphomet appeared in trial transcripts for the Inquisition of the Knights Templar starting in 1307. It first came into popular English usage in the 19th century during debate and speculation on the reasons for the suppression of the Templar order. Baphomet is a symbol of balance in various occult and mystical traditions, the origin of which some occultists have attempted to link with the Gnostics and Templars, although occasionally purported to be a deity or a demon. Since 1856 the name Baphomet has been associated with the “Sabbatic Goat” image drawn by Éliphas Lévi, composed of binary elements representing the “symbolization of the equilibrium of opposites”: half-human and half-animal, male and female, good and evil, etc. Lévi’s intention was to symbolize his concept of balance, with Baphomet representing the goal of perfect social order.  

Show your love for Night of the Living Dead with this Karen T-shirt. Featuring bold graphics that capture the film’s essence, it’s perfect for any fan. Comfortable and durable, wear it with pride.

The Lost Boys Vampire T-Shirt - The Lost Boys Vampire T-Shirt features the title which is a reference to the Lost Boys in J. M. Barrie's stories about Peter Pan and Neverland, who, like the vampires, never grow up. - There is a print of one of the vampires from the film named David on the front side of the The Lost Boys Vampire T-Shirt. - If David is your preferred vampire of the bunch, this The Lost Boys Vampire T-Shirt serves to show your love for him! - Wear this The Lost Boys Vampire T-Shirt and be wary of vampires in Santa Cruz ! If you love classic films like this The Lost Boys Vampire T-Shirt then check out other horror tees like the Hellraiser Pinhead T-Shirt ! The Lost Boys The Lost Boys is a 1987 American horror comedy film directed by Joel Schumacher, produced by Harvey Bernhard with a screenplay written by Jeffrey Boam. Janice Fischer and James Jeremias wrote the film's story. The film's ensemble cast includes; Corey Haim, Jason Patric, Kiefer Sutherland, Jami Gertz, Corey Feldman, Dianne Wiest, Edward Herrmann, Alex Winter, Jamison Newlander, and Barnard Hughes. Director Joel Schumacher said he had "one of the greatest casts in the world. They are what make the film." The title is a reference to the Lost Boys in J. M. Barrie's stories about Peter Pan and Neverland, who, like the vampires, never grow up. Most of the film was shot in Santa Cruz, California. The success of the film has spawned a franchise with two sequels (Lost Boys: The Tribe and Lost Boys: The Thirst), two comic book series and a future television series. According to Day, the central theme of The Lost Boys, "organised around loose allusions to Peter Pan", is the tension surrounding the Emerson family and the world of contemporary adolescence. The film was originally set to be directed by Richard Donner and the screenplay, written by Janice Fischer and James Jeremias, was modeled on Donner's recent hit The Goonies (1985). In this way the film was envisioned as more of a juvenile vampire adventure with 13 or 14 year old vampires, while the Frog brothers were "chubby 8 year-old Cub Scouts" and the character of Star was a young boy. When Donner committed to other projects, Joel Schumacher was approached to direct the film. He insisted on making the film sexier and more adult, bringing on screenwriter Jeffrey Boam to retool the script and raise the ages of the characters. A. Asbjørn Jøn wrote that The Lost Boys helped shift popular culture depictions of vampires. The film is often credited with bringing a more youthful appeal to the vampire genre by making the vampires themselves sexy and young. This inspired subsequent films like Buffy the Vampire Slayer. The scene in which David transforms noodles into worms was directly referenced in the 2014 vampire mockumentary film What We Do in the Shadows. The film inspired the song of the same name by the Finnish gothic rock band The 69 Eyes. Most of the film was shot in Santa Cruz, California; locations include the Santa Cruz Boardwalk, the Pogonip open space preserve, and the surrounding Santa Cruz Mountains. Other locations included a cliffside on the Palos Verdes Peninsula in Los Angeles County, used for the entrance to the vampire cave, and a valley in Santa Clarita near Magic Mountain, where introductory shots were shot for the scene where Michael and the Lost Boys hang from a railway bridge. Stage sets included the vampire cave, built on Stage 12 of the Warner Bros. lot, and a recreation of the interior and exterior of the Pogonip clubhouse on Stage 15, which stood in for Grandpa's house.

Hellraiser Pinhead T-Shirt About Hellraiser Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker, and produced by Christopher Figg, based on Barker's 1986 novella The Hellbound Heart. The film marked Barker's directorial debut. Its plot involves a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. The leader of the Cenobites is portrayed by Doug Bradley, and identified in the sequels as Hellraiser Pinhead. Hellraiser was filmed in late 1986. Barker originally wanted the electronic music group Coil to perform the music for the film, but on insistence from producers, the film was re-scored by Christopher Young. Some of Coil's themes were reworked by Young into the final score. Hellraiser had its first public showing at the Prince Charles Cinema on 10 September 1987. The film grossed $14.6 million. Since its release, the film has divided critics but generally received praise; initial reviews ranged from Melody Maker calling it the greatest horror film made in Britain, to Roger Ebert decrying its "bankruptcy of imagination". It was followed by nine sequels, the first seven of which featured Bradley reprising his role as Pinhead. A franchise reboot, also titled Hellraiser, was released in 2022.

Halloween Poster T-Shirt - The iconic pumpkin holding a knife, it must be Halloween! - Featuring the Halloween film poster, this shirt is perfect for any Michael Meyers fanatic. You can also wear his face with the Michael Myers Shirt ! About Halloween (1978) Within this Halloween Poster T-Shirt, Halloween Michael Myers is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Loomis in supporting roles. The plot centers on a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978. The film premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960) and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, Halloween was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Halloween Poster Michael Myers spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018. Additionally, a novelization, a video game and comic book series have been based on the film.

Faces Of Death T-Shirt - Do you remember watching Faces of Death? Well now you can remind everyone of this film with the Faces Of Death T-Shirt! - This Faces Of Death T-Shirt features the films poster on the front side. - The graphic print on the Faces Of Death T-Shirt is oil based and long lasting - Put on this Faces Of Death T-Shirt and show off your horror love! If you like this Faces of Death T-Shirt make sure to check out Faces of Horror Shirt featuring several favorite horror characters ! Faces of Death 1978 The movie was written by John Alan Schwartz (credited as "Alan Black" for writing) and directed by Conan LeCilaire (also John Alan Schwartz). Schwartz also took credit as second unit director, this time as "Johnny Getyerkokov". He also appears in one of the segments of this movie, as the leader of the alleged flesh eating cult in San Francisco and has brief appearances in several other movies of this series. This movie features Michael Carr as the narrator, and 'creative consultant' called "Dr. Francis B. Gröss". John Alan Schwartz has said that this movie's budget was $450,000 and there are estimates that it has grossed more than $35 million worldwide in theatrical releases, not including rentals. Pathologist Francis B. Gröss states to the viewer that he has become interested with the transitional periods of life and death thanks to a recurring dream. He has accrued footage from several parts of the world in an effort to better understand and study the many "faces of death". In Mexico, Gröss has captured the mummified corpses of the deceased inhabitants of Guanajuato, as well as video of a dog fight. He next examines the natural predators of the Amazon rainforest and the ways in which they kill their prey. Footage of a live monkey being killed and its brain being eaten by guests of a banquet is also shown. A man is killed by an alligator, an act that Gröss calls a "violent retaliation from a creature who has suffered continued abuse from mankind". The movie is often billed as Banned in 40+ Countries, but actually it has only been banned (at least temporarily) in Australia, Norway, Finland, New Zealand, and the United Kingdom. Although several of the "human death" scenes are obvious fakes (with Allan A. Apone, make-up and special effects artists for the movie saying that about 40% of it is fake), some of the footage is genuine. In their book Killing for Culture, authors David Kerekes and David Slater note that the nadir of the movie is the inclusion of an extreme fatal accident; "the shattered remains of a cyclist are seen under a semi-tractor trailer. The camera pans long enough to capture paramedics scooping up blood clots, brain matter, and clumps of hair from the tarmac – this incident is authentic and culled from newsreels." A number of sequels were made. Faces of Death II, III, and IV, as well as Faces of Death: Fact or Fiction? (a "documentary" on the making of the series) were written and at least partially directed by John Alan Schwartz. Faces of Death V and VI were released in the mid-90s, and are compilations made up entirely of highlights from the first four movies, with no new footage, released in some countries where the original movies were banned. The first three featured Carr as "Dr. Gröss", although The Worst of Faces of Death (released between installments III and IV and consisting of highlights from the first three installments) instead featured Schwartz's brother, James Schwartz, as "Dr. Louis Flellis".

The Exorcist Regan Face T-Shirt - Face everybody’s greatest nightmare and wear the most feared face with The Exorcist Regan Face T-Shirt! - From the classic horror film is The Exorcist Regan Face T-Shirt - The Exorcist Regan Face T-Shirt features a detailed look at possessed Regan. - Wear The Exorcist Regan Face T-Shirt and show off your horror loving side! If you love classic horrors like The Exorcist Regan Face T-Shirt then check out The Exorcist Poster Shirt ! The Exorcist 1973 The Exorcist is a 1973 American supernatural horror film, adapted by William Peter Blatty from his 1971 novel of the same name, and starring Ellen Burstyn, Linda Blair, Max von Sydow, and Jason Miller. The film is part of The Exorcist franchise. The book, inspired by the 1949 exorcism of Roland Doe,Template:SfnTemplate:Sfn deals with the demonic possessionof a 12-year-old girl and her mother's attempts to win back her child through an exorcism conducted by two priests. The adaptation is relatively faithful to the book, which itself has been commercially successful (earning a place on The New York Times Best Seller list). The film experienced a troubled production; even in the beginning, several prestigious film directors including Stanley Kubrick and Arthur Penn turned it down. Incidents, such as the toddler son of one of the main actors being hit by a motorbike and hospitalized, attracted claims that the set was 'cursed'. The complex special effects used as well as the nature of the film locations also presented severe challenges. The film's notable psychological themes include the nature of faith in the midst of doubt as well as the boundaries of maternal love as a mother has to do whatever she can to save her child. The Exorcist was released theatrically in the United States by Warner Bros.on December 26, 1973. Though booked at first in only twenty-six theaters across the U.S., it soon became a major commercial success. The film earned ten Academy Award nominations, winning Best Sound Mixing and Best Adapted Screenplay. It became one of the highest-grossing films in history, grossing over $441 million worldwide in the aftermath of various re-releases, and was the first horror film to be nominated for the Academy Award for Best Picture. The film has had a significant influence on popular culture. Several publications have regarded it one of the best horror films in history. For example, it was named the scariest film of all time by Entertainment Weekly in 1999, by Movies.com in 2010, by viewers of AMC in 2006, and by the editors of Time Out in 2014. In addition, a scene from the film was ranked #3 on Bravo's The 100 Scariest Movie Moments. In 2010, the Library of Congress selected the film to be preserved as part of its National Film Registry as being "culturally, historically, or aesthetically significant". On January 22, 2016, 20th Century Fox Television announced they were developing a television series of The Exorcist. It premiered on September 23, 2016. aUpon its December 26, 1973, release, the film received mixed reviews from critics, "ranging from 'classic' to 'claptrap’." Stanley Kauffmann, in The New Republic, wrote, "This is the scariest film I've seen in years—the only scary film I've seen in years ... If you want to be shaken—and I found out, while the picture was going, that that's what I wanted—then The Exorcist will scare the… (shit) out of you.” Variety noted that it was "an expert telling of a supernatural horror story ... The climactic sequences assault the senses and the intellect with pure cinematic terror." In Castle of Frankenstein, Joe Dante called it "an amazing film, and one destined to become at the very least a horror classic. Director Friedkin's film will be profoundly disturbing to all audiences, especially the more sensitive and those who tend to 'live' the movies they see ... Suffice it to say, there has never been anything like this on the screen before.”

Creepshow The Creep T-Shirt - This classic American horror comedy anthology film written by Stephen King brings the creeps to everyone in sight! - This Creepshow The Creep shirt features The Creep holding a dim lamp with an ominous background. Grow your Creepshow wardrobe and add the Creepshow Ticket Taker Shirt ! About Creepshow Creepshow is a 1982 American horror comedy anthology film directed by George A. Romero and written by Stephen King, making this film his screenwriting debut. The film's ensemble cast includes Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E. G. Marshall, and Viveca Lindfors as well as King himself. The film was primarily shot on location in Pittsburgh and its suburbs, including Monroeville, where Romero leased an old boys academy (Penn Hall) to build extensive sets for the film.

Chucky Childs Play T-Shirt - The doll we all feared as children is now available anywhere you wear it! - This shirt features the Classic 1988 Child’s Play film poster If you love chuck then check out the Child’s Play Dumpster Fire Kids Shirt ! About Chucky Childs Play Child's Play is a 1988 American slasher film directed by Tom Holland, from a screenplay by Holland, Don Mancini and John Lafia, and based on a story by Mancini. It is the first film in the Child's Play series and the first installment to feature the character Chucky. It stars Catherine Hicks and Chris Sarandon with Brad Dourif as Chucky. Its plot follows a widowed mother who gives a doll to her son, unaware that the doll is possessed by the soul of a serial killer.

Dr. Martens Black Smooth 8-Eye Boot - The 1460 is the original Dr. Martens Black Smooth 8-Eye Boot. - The Black Smooth 8-Eye Boot is made with the durable Dr. Martens Smooth leather. - Its instantly recognizable Black Smooth 8-Eye Boot DNA looks like this: 8 eyes, classic Dr. Martens Smooth leather, grooved sides, a heel-loop, yellow stitching, and a comfortable, air-cushioned sole. - Black Smooth 8-Eye Boot is the original 8-eye boot. - Built on the iconic Dr. Martens air-cushioned sole, Black Smooth 8-Eye Boot is oil and fat resistant with good abrasion and slip resistance. Use the Wonder Balsam to keep your Black Smooth 8-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time for the birth of such a functional work-boot. First worn by postmen and factory workers, Dr. Martens’ initial years of existence was very much that of a simple work-wear boot, selling solid quantities to Britain’s working classes. Then and incredible shift occurred. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. While Britain was constantly pursed by anti-government riots and social resentment, youth culture managed to rise up from the streets with yet more highly visual and individual tribes such as psychobilly, grebo and scooter boys. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

TUK Burgundy Velvet Mondo Creeper - These TUK Burgundy Velvet Mondo Creeper are round toed and feature our new lightweight and also more flexible VIVA Creeper sole. - These VEGAN TUK Burgundy Velvet Mondo Creeper feature burgundy velvet throughout with black interlace binding. - This TUK Burgundy Velvet Mondo Creeper also features silver metal d-rings for lacing up. - The TUK Burgundy Velvet Mondo Creeper sole is nearly 2 inches high. Prefer black over the TUK Burgundy Velvet Mondo Creeper? Check out the Black Velvet Low Sole Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Suede Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Black Suede Sneaker Creeper that reimagines the former creeper sneaker silhouette with bold & modern twists. - Features one of the crowd-pleasing upper styles of black cow suede with classic D-rings & iconic interlace detailing along the front. - The VLK TUK Black Suede Sneaker Creeper features a more streamlined and sleeker look compared to our past creeper sneaker designs. - The vulcanized TUK Black Suede Sneaker Creeper have removable insoles with a 3mm layer of memory foam and a lightly padded tongue for added comfort. - VLK TUK Black Suede Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

  Black Cotton Greek Fisherman Hat - Black Cotton Greek Fisherman Hat, also Known As A Fiddler Cap, Dylan Hat, Mariner’s Cap Or John Lennon Hat. - During The 1950’s It Gain Popularity Among Ton-up And Greaser Subculture And In The 1960s It Became Desirable Counterculture Accessory For Both Sexes. - The Cap Went A Revival Among Young British Hipster Women During The Late 1990s, And Again During The 2010’s Due To A Nostalgia For 1970’s Fashion.       Check out the Black Wool Greek Fisherman Hat for a different material cap with subtle lace detail !

Women’s Black Knit Cardigan Sweater - A classic button up women’s black cardigan sweater, knit with a lightweight material that’s super soft with a great stretch. - These are the best priced cardigan sweaters you’ll buy on the market. - Slim fit, cut more narrowly through the body and the sleeve. If you liked this black cardigan, check out this Burgundy Knit Cardigan Sweater !

TUK White Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK White Sneaker Creeper that reimagines our former creeper sneaker silhouette with bold & modern twists. - This TUK White Sneaker Creeper features one of our popular upper styles of white leather with classic D-rings & iconic interlace detailing along the front. - The TUK White Sneaker Creeper collection features a more streamlined and sleeker look compared to our past creeper sneaker designs. - In addition to its' updated form, the vulcanized TUK White Sneaker Creeper have removable insoles with a 3mm layer of memory foam and a lightly padded tongue for added comfort. - VLK TUK White Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. Check out the inverted version of this TUK White Sneaker Creeper, the Black Suede Creeper Sneaker w/White Interlace ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

Pandamerica Mary Jane Black Velvet - This classic and timeless Mary Jane ballet flat is a must-have in every women's closet. - These Maryjanes have a full black velvet upper for a nice and soft feel. Measurements: Outsole Length (Heel Edge to Tip of Toe): -Size 5 = 9 1/2" -Size 6 = 9 3/8" -Size 7 = 9 5/8" -Size 8 = 9 7/8" -Size 9 = 10" -Size 10 = 10 1/8" -Size 11 = 10 3/8" Check out these Fuzzy Leopard Faux Fur Mary Janes !

TUK Leopard Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Leopard Sneaker Creeper that re-imagines our former creeper sneaker silhouette with bold & modern twists. - The TUK Leopard Sneaker Creeper features a vegan black twill upper & leopard faux fur with classic D-rings & iconic interlace detailing along the front. The fun animal print gives an extra dose of rock n' roll that looks great on guys & girls alike! - The VLK TUK Leopard Sneaker Creeper features a more streamlined and sleeker look compared to our past creeper sneaker designs. - In addition to its' updated form, the vulcanized TUK Leopard Sneaker Creeper have removable insoles with a 3mm layer of memory foam and a lightly padded tongue for added comfort. - VLK TUK Leopard Sneaker Creeper brings to you everyday wear ability with a clean style while incorporating the edge & originality that T.U.K. is known for. If you love pink over the TUK Leopard Sneaker Creeper, then you'll love the Pink Leopard Sneaker Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Pink Leopard Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Leopard Sneaker Creeper that re-imagines our former creeper sneaker silhouette with bold & modern twists. - Follow your instincts and run wild in these TUK Pink Leopard Sneaker Creeper. - Deliver an extra dose of fierceness in this TUK Pink Leopard Sneaker Creeper with a vegan friendly black twill upper combined with a fun pink faux leopard fur front. - The TUK Pink Leopard Sneaker Creeper features the vulcanized VLK creeper sneaker silhouette that lends everyday wearability. - D-ring lace up closure and the TUK Pink Leopard Sneaker Creeper has a lightly padded tongue along with removable memory foam insoles for added comfort. Check out these TUK Pink Leopard Sneaker Creeper with less pink Leopard Sneaker Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black and White Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Black and White Sneaker Creeper that reimagines former creeper sneaker silhouette with bold & modern twists. - TUK Black and White Sneaker Creeper Features one of the bestselling upper styles of black & white leather with classic D-rings & iconic interlace detailing along the front. - The VLK TUK Black and White Sneaker Creeper features a more streamlined and sleeker look compared to past creeper sneaker designs. - In addition to its' updated form, the vulcanized TUK Black and White Sneaker Creeper have removable insoles with a 3mm layer of memory foam and a lightly padded tongue for added comfort. - VLK TUK Black and White Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. Check out theTUK Black and White Sneaker Creeper in full White Sneaker Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black and White Suede Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Black and White Suede Sneaker Creeper that reimagines former creeper sneaker silhouette with bold & modern twists. - TUK Black and White Suede Sneaker Creeper features one of the most-loved upper styles of black cow suede with classic D-rings & iconic white interlace detailing along the front. - TUK Black and White Suede Sneaker Creeper collection features a more streamlined, sleeker look compared to past creeper sneaker designs. - In addition, the vulcanized TUK Black and White Suede Sneaker Creeper have insoles with a 3mm layer of memory foam and a padded tongue for comfort. - VLK TUK Black and White Suede Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. Want these TUK Black and White Suede Sneaker Creeper taller? Check out the Two-Tone Suede Creepers ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Suede Mondo Boot - These suede boots are a combination of two T.U.K. Classics; A 7 eye suede Anarchic boot upper combined with our Viva Mondo creeper soles and BOOM! The result is the new funky TUK Black Suede Mondo Boots! - The TUK Black Suede Mondo Boot platform measures 1.75” at the heel with a 1.25” tall front. - The new TUK Black Suede Mondo Boots creeper sole is nice and lightweight so you can be quick and comfy while you’re beatin’ the streets. - This TUK Black Suede Mondo Boot features a rubber outsole, perfect for traction. If you liked these TUK Black Suede Mondo Boot, check out the Black Platform Heel ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Pointed Mary Jane Creeper - Take center stage in on pointe style with these TUK Black Pointed Mary Jane Creeper with a ballet-style that delivers a whole lot of edgy panache. - Made of our high quality TUKskin™ material — polishable synthetic faux leather that is both soft and breathable. - TUK Black Pointed Mary Jane Creeper features a pointed-shaped toe and multi-strap closure for an adjustable fit. - Sits on top of a low sole creeper platform that measures 1 ¼” at the heel and ¾” in the front. - The TUK Black Pointed Mary Jane Creeper has removable memory foam padding for added comfort. Check out the Pointed Ankle Strap Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Velvet Low Sole Creeper - The TUK Black Velvet Low Sole Creeper are a luxe update and vegan friendly alternative to one of our bestselling classic creeper styles. - This TUK Black Velvet Low Sole Creeper features a black velvet upper that sits on our lightweight VIVA low sole design. - TUK Black Velvet Low Sole Creeper sole height is about 1 ½” at the heel and ¾” in the front. - Has removable gel insoles for added comfort, so these TUK Black Velvet Low Sole Creeper will be one of the most comfortable shoes. If you love the leather feel over the velvet on the TUK Black Velvet Low Sole Creeper, check out the Leather Low Sole Creepers ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.